We gotta remove the profit incentive for providing human rights. This whole generation talks about being cycle breakers. Even if we voted them all out another would eventually take the seat and do awful profit-driven things again. The problem is so much bigger than just republicans. We can share these gotchas about Republicans all day, but they don’t actually care about being hypocrites so it doesn’t matter. And now corporations are challenging our fundamental human rights and our politicians are taking paychecks to help them do it. They care about making money and offing marginalized people.

Sure Republicans are evil but the driving force behind this is capitalism and profit and that’s key to remember if we’re ever to dismantle the systems that allow these attacks to happen. Smaller ones would be your local bar or meatpacking freezer. Some other major benefactors associated with the groups involved would be John Deere, the Koch brothers, and Google. Also the Iowa Workforce Board (overseen by Iowa’s governor, Kim Reynolds -republican) came up with the bill & most of the members are corporate CEOs. Nicola Samorì’s second solo exhibition at the Christian Ehrentraut Gallery in Berlin is scheduled to take place in November 2013.The bill attacking child labor laws is supported by lobbyists representing fast food places like Taco Bell & Burger King and corporations like Pepsi & Cisco. In the works specially created for the gallery spaces, Nicola Samorì has actually wanted to unsettle, disfigure and deform painting by showing its haemophiliac aspect, of gory metamorphosis”.

A certificate of authenticity by the artist is avai. In this latest exhibition, which is just finished, “the artist has ended up chastising what he had created and has thus come to the unavoidable and absolutely irreducible killing of painting. SAMORI, NICOLA 1977 Forli/Italy Title: Untitled. Among his solo exhibitions, the followings are to be mentioned-Dei Miti Memorie at the Central TAFE Gallery in Perth (2003), Imaginifragus at the Christian Ehrentraut Gallery in Berlin (2011), The Venerable Abject at the Ana Cristea Gallery in New York (2012), Fegefeuer der Meisterwerke at the TübingenKunsthalle (2012) and Die Verwindung at the Galleria Emilio Mazzoli in Modena, Italy (2013). He went to the Academy of Fine Arts in Bologna where he graduated in 2004. Here the opening of the depicted body and of the pictorial surface alike are represented without a smooth transition.īorn in Forlì back in 1977, Nicola Samorì lives and works in Bagnacavallo. His artistic career shows his attempt to endanger forms derived from the history of Western culture, recurring and dense expressions which live, sometimes involuntarily, inside our unconscious.

How long does an image resist its disappearance? This is the question the works by Italian artist Nicola Samorì measure against.

Lacrimosa nicola samori